The Krita development team makes no claims about Krita being a photo editor. (Seth Kenlon, CC BY-SA 4.0) Krita isn't just for painting anymore It also has a similar color selection tool, which is essentially a contiguous color selection for the entire image, contiguous or not. Krita has all the usual selection tools: rectangle, elliptical, freehand (also sometimes known as a "lasso"), polygonal, and contiguous color. Other times you want to emphasize it, or duplicate it, or adjust it in some way. Sometimes you want to remove an element from the frame. Photo editing applications need the ability to select sometimes complex and uneven parts of a photograph. If the capabilities of these layers somehow haven't convinced you to use Krita as your photo editor, don't worry: Krita has much more to offer. Because it's a layer type, it's easy to modify and change on a whim. Transform: Apply transformation to a layer.Black paint produces 100% transparency, white paint produces 0%, and all shades of gray are available in between. Transparency: Have you ever wanted to paint with Alpha? Now you can.Selection: Store selections as layers attached to a paint layer, so you only have to select an important region once.Never open a dozen files to change a company logo, watermark, or iconography again. When the file changes, so does the layer. File: Dynamically loads a file as a layer.Combined with compositing modes, there are great effects you can achieve with this, and because it's a layer type, it's easy to modify and change on a whim. Fill: A layer containing a fill, which can be anything from a solid color to gradient to patterns or noise.For example, you can group an effect layer and a clone layer to isolate a special effect without actually moving your source layer from its group. Clone: An effect layer that updates based on its "parent." It's a little like an alias or symlink for layers and can be helpful when you need one layer to be in more than one place.It could have interesting results for some photos, though. This is very much an illustrator's tool, and I've found little to no use for this tool in photography. Colorize mask: Colorize regions of a picture with just one stroke of a paintbrush.Because it is a layer and not just a jumble of settings, it's easy to duplicate on other layers as needed, and it can stack with other filters. Filter mask: Like a filter layer, a filter mask is a layer that gets attached to just one other layer.Combined with a group layer, you can apply this lens to only the layers you want. Filter: A layer containing nothing but an effect, which gets applied to all layers below it, as if you were looking at your image through a special lens.This layer stores vector data, including text. Vector: It's no Inkscape, but Krita does support vector and has several good vector drawing tools.Paint: The default kind of layer containing raster data.What matters is what Krita does with all those layers. Of course, more doesn't always mean better. It's got twelve different kinds of layers. There's a reason I mention this as a requirement, though. Krita, of course, has layers, and in fact, so many paint and photo applications do these days that I probably could have glossed over it. That was one of the first game-changing features of digital photo editors, and it remains one of the most basic requirements. Free online course: RHEL technical overview.
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